FADA graduate is ‘going underground’

A2CYCLING RACHEL LILLIE copy

Recent Illustration and Animation graduate Rachel Lillie has won the joint Transport for London and Association of Illustrators illustration competition and exhibition on cycling. Rachel produced the illustration “Good for you, green for London” in response to the brief which was to design an illustration that would promote the environmental, health and recreational benefits of cycling in London. As part of her prize, Rachel’s work will be used as a poster at tube stations around London and will be exhibited at the Cycling in London exhibition which is being held at the London Transport Museum until 22 August 2010.

For more information about Rachel’s prize and the competition please visit:

http://www.theaoi.com/index.php?option=com_content&task=view&id=212&Itemid=47

Kingston cleans up at D&AD design awards

 

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Graphic design students at Kingston University have come away from this year’s D&AD awards with four Yellow Pencils, leaving their rivals green with envy. Another Kingston team was highly commended, while the University also won three D&AD New Blood awards.

“I’m particularly proud of the students and teaching team who have been so justly rewarded for their hard work,” Rebecca Wright, course director for Graphic Design and Graphic Design and Photography, said. “As one of the D&AD Education team said to me afterwards – it was a Kingston clean-up!”

Jessica Reynolds and Serena Wise won the highest honour, the Student of the Year award at the ceremony, frequently referred to as the ‘Design Oscars’. They designed an eye-catching colour wheel1 in response to a brief set by IKEA to “inspire a wave of boundless change in people’s homes by promoting the new IKEA catalogue”.

The wheel shows all the products in IKEA’s 2011 catalogue organised according to their colour, enabling customers to choose and match items of furniture by colour. “We made several research trips to IKEA and watched the customers,” Serena said. “We heard one woman talking about ‘lime green accents’. We realised customers have an immediate response to the colour of a product.”

D&AD Education Chairman Greg Quinton said the colour wheel idea was brilliant as it challenged the conventions of the day. “Organising the site by colour and product creates an elegant navigation system and brings the fun back to the brand,” he said. Jessica from Guildford and Serena from London will now be able to further develop the idea on a placement at IKEA’s advertising agency, ‘Mother’.

Meanwhile, fellow Graphic Design students Bhavik Samani and Silje Løkken Rødvik are talking to the BBC about their idea for an extension to the BBC’s iPlayer. BBC Lounge2 combines on-demand services like iPlayer and social networking sites so that viewers can watch streamed television programmes and talk to, or text, their friends at the same time. It allows simultaneous streaming so a group of friends can co-ordinate when they choose to watch a particular programme, or viewers can choose to watch a sporting event in the virtual company of a group of fellow fans.

“We got the idea when someone said they’d always be on the phone to their Mum when Eastenders was on – not talking but listening together and laughing at the same time,” Bhavik, who is a director of the company which designs and prints the ‘Love Music Hate Racism’ range of clothing, revealed. “We ended up working 15 hour days for four or five weeks but it was worth it in the end.”

Anna Brooks and Samantha Harvey, who are studying Graphic Design and Photography, have already attracted the attention of several bloggers for their Class Portraits3. The idea came to them when they visited a local school hoping to take photographs of children. “They said we couldn’t take photos of the front of a child’s face but we could take pictures of the backs of their heads,” Anna explained.

The result is a comment on the paranoia surrounding pictures of children: a series of traditional class photographs in which every single child is facing away from the camera, so only the teacher’s smiling face can be seen. The project won both a Yellow Pencil and a New Blood award. Anna also won a New Blood for a collaboration with Kate Callaghan on a project called Fallen Constellations3.

Like Anna and Samantha, Tim Sanders won his Yellow Pencil in the ‘What Else Do You Do?’ category.4 A vinyl obsessive, Tim, from Brighton, decided to subject his record collection to extreme magnification. He put several discs underneath a microscope, enlarging them by 100 per cent. He needed to take fifty photographs to reproduce two complete rotations of a disc. “I noticed a big difference in the pattern on the grooves between different genres of music,” Tim, who photographed records by The Clash, Roni Size and the soundtrack to ‘Ice Station Zebra’, said. “The Roni Size track also had lots of scratches on – I thought about removing them but it seemed more authentic to leave them.”

Graphic Designers Luke Ngakane and Rebecca Reynolds won a commendation for their advertising campaign for Metro newspaper.5

Illustration and Animation student Chryso Haralambous won a New Blood for a poster she produced for the 1970 film ‘Love Story’. “A panel of industry judges tours more than 80 UK and international college stands and selects the best representative work; they only award around 20 ‘New Bloods’ each year out of thousands of pieces of work so this is a real coup for Chryso,” course director Geoffrey Grandfield said.

“We are incredibly proud of the success of our students,” Dean of the Faculty of Art, Design and Architecture Dr Simon Ofield-Kerr commented. “It’s great that their achievements, the strength of the courses and the commitment of the staff have been recognised in this way.”

Illustrating Susie!

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Some students just know how to go that extra yard and we, as educators, are always thrilled when extracurricular activity is so emphatically recognised. Victoria Riches, a level 4 fashion student, was savvy enough to submit a few quick and experimental illustrations to one of the world’s favourite bloggers, Susie Bubble. Susie loved the illustrations and immediately posted them for the world to see. Good work!
Style Bubble, has been steadily accumulating a fashion following of hipsters, shoppers and industry experts since its accidental conception in 2006. The site has become a valuable research tool as well as place to discover the latest fashion trends and new talents.
Senior Fashion Lecturer Andrew Ibi decided to ask Victoria a few questions so that maybe we might be able to bottle her drive, tenacity and initiative and offer it to others!

What inspired you to illustrate Susie Bubble?

I’ve been drawing from life/illustrating most days since term ended and woke up one morning and thought, where’s the harm in getting them noticed! Drawing Susie definitely provides you with good practice in drawing material, textiles and layering… she piles them on so cleverly!

Why is illustration so important to you?

For me it’s always been a hobby and interest. Drawing is a relaxing and personal thing to do after the stress of being in the studio all day. Aside from the ‘fun factor’ I think it’s really important for culminating and presenting your ideas in the design process. Also, it’s a great way to sell your work/get attention.

What do you try to achieve with your illustrations?

Not so much a literal, painstakingly accurate representation of my subject, more an expression trying to capture the movement and personality of the thing that I’m drawing.

Do you think hand worked illustrations are still important to fashion design?

 Yes, they are essential! Generally I think its shame photography and digital technology is used as an alternative to illustration so much these days. But I think fashion design will always take pride in being a bit old fashioned… it’s a process which needs to be done by hand to achieve a thoroughly considered result. Illustration reflects what a huge aspect of fashion design is about: handmade, carefully considered detail.

Why is sketching so important to designers?

It gets your ideas down quickly before they disappear, or someone else thinks of them!

Do you have any favourite mediums?

I love using ink and pen. I think there’s a fear about making lines you can’t erase but actually it makes your drawings look far more organic and less laboured over. Especially when you’re working from life. If you make an error you just have to deal with it. 

 How has Kingston (level 4) helped to develop your skills?

What made the biggest impression is learning to work within the fast paced, urgent, and often fickle environment of fashion. At first it seemed daunting but actually it’s a huge adrenaline rush. I am also grateful for the confidence and practical knowledge I’ve gained for translating my ideas/designs into 3D, and of course into something wearable.

Who are your favourite illustrators?

David Downton is such a wonderful and talented fashion illustrator. I also love Quentin Blake. He’s probably my all time favourite!

Any future projects planned?

I’ve sent off some of my work to a few places in hope that it will get noticed, in the mean time I’m working on my drawing every day. The most important thing is to draw from life so I’m keeping that up. In general I’m trying to keep an awareness of what’s going on in fashion and the world around me!

Susie’s blog can be found at:

http://www.stylebubble.co.uk/style_bubble/2010/07/strokes-and-scribbles.html#comments