Graphic Design students raise money for Wola Nani project

As part of World AIDS Day, first year graphic design / graphic design + photography students were set a task of devising a campaign to educate and inform their audience about an aspect or issue surrounding HIV and AIDS.  The aim was to prompt the public to give money to raise funds for Wola Nani, a project in South Africa which gives an income to women living with AIDS.

The students worked in groups and used costumes, performance and other guerrilla advertising techniques to serve their cause on the streets of central London.  £7828.99 was raised on 1 December 2010.

On a recent trip to South Africa, Dr Simon Ofield-Kerr presented a cheque to Wola Nani.  Students and staff are extremely proud to have raised this money to support Wola Nani and hope that they have given this charity greater exposure.

http://www.wolanani.co.za/

What is landscape? Lecture series at Knights Park campus

Location: Main Lecture Theatre, Knights Park

Time: 2:00-5:00pm on Tuesday 25 and Thursday 27 January

The Landscape Interface Studio is running two seminars next week. Six invited artists, designers and urbanists will present their work in the context of “What is landscape?”. Please come along and invite you colleagues, friends and students.

Tuesday 25th / 2:00 – 5:00pm

Heather Ring, Wayward Plants (www.waywardplants.org)

Christian Spencer Davies, AModels (www.amodels.co.uk)

Maria Smith, Studio Weave (www.studioweave.com)

Thursday 27th / 2:00 – 5:00pm

Sam Johnston, Gustafson Porter (www.gustafson-porter.com)

Will Sandy, Three Green Dots

Trenton Oldfield, This is Not A Gateway (www.thisisnotagateway.net)

Kingston alumni nominated in Wallpaper graduate directory

Recent graduates from Kingston’s Faculty of Art, Design & Architecture have been featured in Wallpaper magazine’s list of ‘bright young things’ to watch for the future. Jessica Reynolds and Serena Wise had already won the Student of the Year prize at D&AD for their work on the IKEA colour wheel, which shows the whole IKEA product range in colour co-ordinated order. This mention in one of design’s most influential publications is testament to the growing reputation of design at Kingston. James Shaw, who studied Product and Furniture Design is another student to be featured in the same issue for his work that Wallpaper says is “entirely appropriate to their material and manufacture”. James cites the work of Jasper Morrison (another Kingston alumnus) and Andrea Zittel as major influences.

See www.jamesmichaelshaw.co.uk
www.hellojess.co.uk and www.serenawise.com

Kingston architecture student named in Building Design top six!

Kingston’s School of Architecture proves its class – again.


An architecture student at Kingston University has been named one of Building Design’s six best graduating diploma students. Helen Goodwin is included in the magazine’s Class of 2010, following in the footsteps of fellow Kingston graduate Paolo Scianna who featured in its Class of 2009.

The jury – made up of the magazine’s buildings editor and three practising architects – was impressed by Helen’s proposal for a crematorium and cemetery in east London, close to where the elevated M11 and the north circular road meet (known locally as ‘Charlie Brown’s roundabout’). She looked at how a post-industrial flood plain, currently home to an old munitions depot and a handful of muddy football pitches, could be transformed into a managed wild flower meadow where people’s ashes could be scattered to create a landscape of memorial. “Rather than man imposing himself on the already scarred landscape here, I liked the idea of our ashes returning to the cycles of nature,” Helen said.

The judges praised Helen’s use of models and said the attention she had paid to both the buildings and the overall landscape was “very compelling”.

The crematorium was one of a series of projects for the East London Green Grid – the whole of Kingston’s School of Architecture worked on plans for bakeries, breweries, cemeteries, mosques, pubs and schools across an area of London stretching from Crystal Palace in the south to Waltham Forest in the north.

Helen only entered the world of architecture in her thirties. She had travelled the world for 10 years as a concert cellist and began to consider a new career as an architect after helping develop the playground at her children’s primary school in Kingston.

Each year, Building Design asks every architecture school in the country to nominate its best graduating diploma student for consideration in its annual awards.

Symposium – ‘Art: What’s the Use?’

“The Bike Bloc, 2009, The Laboratory of Insurrectionary Imagination. Photo courtesy of Robert Logan.

Symposium – ‘Art: What’s the Use?’

Friday 14 January, 2011. 11am-6pm,
Zilkha Auditorium, Whitechapel Gallery
How subversive really is the social uselessness of art? Could art play a more directly functional role in culture? Dean Kenning and Gavin Grindon challenge the idea that art should be allowed to take critical positions safe from any real intervention.
Participants include Artur Zmijewski, Dmitry Vilensky (Chto Delat), James Marriott & Jane Trowell (PLATFORM), John Roberts, Stephen Wright, Marina Vishmidt, Peter Osborne and Gail Day.
In association with Stanley Picker Gallery Public Lectures on Art & The Visual and Material Culture and Contemporary Art Research Centres at Kingston University, London.

The increasing visibility of contemporary art, together with the shift in art discourse towards the social dimension, not to mention the sheer number of people now practicing as artists, all make the use value of art a vital issue. At a local and national level contemporary art has clearly taken on a role as instigator of local regeneration/gentrification and city branding. Such projects usually involve star artists, while activist, community and socially engaged practices often take place off the art world radar, or else adopt conventional art spaces as leverage for their work. How do organisations and institutions with their resources and networks influence this equation of art and use? In light of the radical changes to higher education which are currently being pushed through alongside simultaneous cuts in the arts budget, can we develop a language beyond the business-model discourse of creative industries in which to defend and promote the value of art to a wide public?

This symposium aims to ask: What is the use-value of art today, how is it useful, and for whom? What are the particular imaginative and cognitive skills, competences and approaches that could take effect as part of the general symbolic economy beyond the artworld? What are the lessons and influences of movements which sought an unambiguously social and political function for their experiments? And finally, what are the conditions that enable artists not simply to reflect upon the world, but to act within and change it?

Tickets are available here: http://www.whitechapelgallery.org/shop/product/

Becky Beasley In Conversation with writer and critic John Slyce

Becky Beasley In Conversation with artist and critic John Slyce on Wednesday 12 January, 7pm at the Stanley Picker Gallery.

Short-listed for the Arts Foundation Awards for Sculpture and selected for the British Art Show 7 opening soon at The Hayward Gallery, Beasley will be discussing her Stanley Picker Gallery exhibition 8th May 1904, Kingston, now extended until 5 March. Commissioned as part of  Muybridge in Kingston, the exhibition reflects upon the end of Eadweard Muybridge’s life at home in Kingston upon Thames, after his epic experiences in the American West. Please book your FREE place as jthomas@kingston.ac.uk or call 020 8417 4074.

Image: ‘8th May 1904, Kingston’ Installation view. photo: ellielaycock.co.uk

Tie Tunes – the solution to a knotty problem

Tie Tunes – the solution to a knotty problem.

How many neckties do you own? A quarter of men have more than 50 which ­– in the opinion of Kingston University Masters student Coskucan Gurun – is far too many. Coskucan believes that, in the near future, they’ll be able to get by with just one: a digital tie which he designed in response to a challenge from a magazine.

“The tie of the future will be made of light emitting diodes,” the 29-year-old explained. “At one end you’ll have a circuit board which can change the colour and pattern of the tie.

“The circuit board will have a Bluetooth adaptor, so you can send new designs from a smartphone or laptop and change your tie whenever you want – without even having to take it off!”

Coskucan, a student on Kingston University’s Design: Product and Space MA, was challenged by Esquire magazine to design something which would “make men’s lives run more smoothly”. After toying with a ceiling-mounted hairdryer, he decided to revolutionise the tie.

“My father, who worked in advertising, had 30 or 40 ties, all for different occasions; it was crazy,” Coskucan, who’s originally from Istanbul in Turkey, said. A survey by Australian management consultancy, Cornerstone International, has found that 28 per cent of men own more than 50 ties. “In the future, I see them needing only one tie whether they’re going to a job interview, a business meeting, a wedding or a funeral,” he said.

Coskucan decided to use TOLEDS – transparent, organic, light-emitting diodes – because they can display bright colours without any kind of backlighting. He says the tie will look totally realistic, but admits the first prototypes may feel slightly ‘plastic’. He’s even come up with an idea for a website, from which designs could be downloaded – ‘Tie Tunes’.

“Coskucan has done really well to complete this project alongside his coursework and receive recognition.  It’s an idea that combines both technology and humour,” Colin Holden, course leader of the Design: Product and Space MA, said.

Could the same technique be applied to a t-shirt so that music fans could switch allegiance by pressing a few buttons on their phones? “Yes, but it would take much longer to perfect the technology,” Coskucan said. “The great thing about a tie is that it’s a flat surface without complex curves or creases.”

Coskucan completed his MA in September 2010 and is currently putting the final touches to the digital tie and some of the other ideas he came up with at Kingston.