Arts Market students visit Maastricht Arts Fair

The School of Surveying and Planning has been running a postgraduate course on the art market (the MA in Arts Market Appraisal) since 2006, and in 2009 we launched an undergraduate programme in the same field. So we thought it was high time that we brought both groups of students together for some kind of special event, and nothing seemed likely to be more interesting (or more fun) than a visit to the vast commercial art fair held every year in the southern Dutch town of Maastricht.

Originally set up by dealers in Old Master paintings to try and revive that sector of the market, the Maastricht fair has grown in recent years into a monster event bringing in the top dealers in art and antiques from across the world. We spent a whole day there meeting the dealers and marvelling at their wares, and also bumped into several familiar faces from the London art world – many of them looking rather exhausted after overdosing on masterpieces.

The group stayed in Brussels (just an hour by train to the west) and were able to take in the new Magritte Museum there as well as the extraordinary Royal Museum for Central Africa, a relic of Belgium’s days as the colonial power in the Congo, displayed in a palatial building in its own park to the east of the city.

Kingston graduate curates first Zimbabwe Pavillion at Venice Biennale

Four Zimbabwean artists have been selected to represent Zimbabwe at the first-ever National Pavilion of Zimbabwe at the Venice Biennale. The Biennale opens on 1 June and runs until the end of November. The exhibition will be commissioned by Doreen Sibanda, Director of the National Gallery of Zimbabwe, and curated by Raphael Chikukwa, Curator at the National Gallery of Zimbabwe and MA Curating Contemporary Design graduate. It features the work of four artists: Berry Bickle; Calvin Dondo; Misheck Masamvu and Tapfuma Gutsa and works will be presented in the mediums of painting, photography, video installation and sculpture.

The Venice Biennale is the world’s most prestigious international forum for contemporary art. Held every two years in the city of Venice, it draws an international audience of approximately 500,000, and showcases the latest developments in contemporary art from around the world.

Until now, the individual countries of Sub-Saharan Africa have been under represented at the Venice Biennale, with South Africa being the only country from the region to have ever had an individual stand. The National Gallery of Zimbabwe, working with Zimbabwe’s Ministry of Education, Sports and Culture and the British Council, and supported by the Nouveau Musée National de Monaco, the Monaco Development Corporation and Zimbabwe Embassy in Rome, will present an exhibition at the Church of Santa Maria della Pietà, (Castello 3701 Calle della Pieta 30122 Venice). With Zimbabwe included as an official participant in the Venice Biennale, the exhibition will give a long overdue focus on the creativity of Africa’s sovereign nations.

“The Zimbabwe Pavilion at the Venice Biennale is pivotal in establishing a platform after the isolation of many years. The Zimbabwean pavilion will provide a rare opportunity to spark discussions about the role of artists in a society.

Zimbabwe has become a “Zone of Silence” with little access to the platforms of exchange through which it can communicate. It is in this view that a Zimbabwean Pavilion at the Venice Biennale will break the silence.”

Raphael Chikukwa, Curator -

Prof Hilary Dalke and PhD student featured in Blueprint magazine

Kingston PhD student Regina Peldszus features in a recent issue of Blueprint magazine discussing her passion for space design.

In 2010, the AIAA published a paper by Regina Peldszus, Professor Hilary Dalke (Peldszus’ PhD supervisor) and Dr Chris Welch (part of the Astronautics and Space Systems Group at Kingston University) entitled ‘Science fiction film as design scenario exercise for design habitability: Production designs 1955-2009’.

This explored speculative design in science fiction, placing particular emphasis on Stanley Kubrick’s 2001: A Space Odyssey. The study recognised that the scenarios depicted in science fiction, particularly Kubrick’s seminal film, were the product of many years of consultation, research and development by multidisciplinary design teams, which were comparable to those working on the scenarios predicted for long-term spaceflight. Through this study, conclusions were drawn about the general environment and interior colours of spacecraft, the organisation of activity zones, the provisions available to crews, entertainment and leisure activities. The findings within the fictional narratives, when analysed alongside the reality of completed or ongoing missions such as the ISS, could then be integrated to create more robust mission scenarios. To read then whole article please see :

http://www.blueprintmagazine.co.uk/index.php/everything-else/regina-peldszus-space-designer/

Ab Rogers Design: A Day in the Life of Ernesto Bones. Opens at the Stanley Picker Gallery from the 24 March!

Where: Stanley Picker Gallery

What: Ab Rogers Design   A Day in the Life of Ernesto Bones

When: 24 March – 21 May 2011 (Gallery closed 22-30 April)

Exhibition Launch Wednesday 23 March 6-8.30pm

“My name is Ernesto Bones and I write to you with an important request. I have a very serious problem that only you can help fix. You see, though I am writing to you now, I do not yet truly exist…”

So began the letter sent by Ab Rogers Design (ARD) to 24 different creative protagonists from a range of disciplines, asking each to contribute a short narrative which would combine to bring Ernesto Bones to life.

In a unique game of ‘Consequences’, each of the invited contributors provided up to 400 words of text describing one hour of Ernesto Bones’s existence. As the project unfolded, a continuous narrative emerged. The character, and the process by which he came about, is presented in ARD’s new Stanley Picker Fellowship exhibition.

A Day in the Life of Ernesto Bones includes 24 written contributions, in sequential order, from: Sara Fanelli; Heston Blumenthal; Tom Scott; Monica Narula; Jane Nisselson; Ben Kelly; Deyan Sudjic; Michael Elias; David Tanguy; Adrian Searle; Charlotte Cullinan; Miranda Carter; Shelley Fox; Lesley Bunch; Fergus Henderson; Helena Reckitt; Jane Withers; Simon Ofield-Kerr; Aric Chen; Daniel Hunt; Susan Cohn; Andrea Branzi; Michael Connor and John Hegarty..

ARD’s idea for the Fellowship was inspired by the rules of ‘Exquisite Corpse’, a Surrealist game in which a series of collaborators adds in turn to a drawing or story, so that an unexpected composition emerges from the many continuous fragments. For the tale of Ernesto Bones, each contributor was asked to write a short text describing one hour in a 24 hour period. Each received the last two lines of the previous hour’s text and an image of an object representing one of Bones’s possessions. The objects were selected from the extraordinary collection of vintage domestic items and design pieces at the Stanley Picker House in Kingston upon Thames.

As Ab Rogers explains, ‘Storytelling has always been central to my practice – in many ways it is the creative starting point to all of my studio’s work. We use stories as a tool to communicate our ideas to each other, to our clients and to the end user. For this Fellowship we wanted to take this concept further – not merely to tell a story about our design for the project, but to make the story the design itself.’

For the exhibition, ARD has adapted the 24 written accounts into a narrative installation comprising object-scenarios, rhythmic narrative sequences and vibrant storyboards. The exhibition is produced in collaboration with students from Kingston University’s MA Curating Contemporary Design and BA Interior Design courses.

Ab Rogers Design, an established London design studio, has worked with major institutions including the National Museum of Science and Industry, Tate Modern and the Design Museum in London, the Pompidou Centre in Paris, and the Caixa Forum in Barcelona and Madrid. Current projects include a permanent exhibition for the Science Museum, London, and temporary exhibitions at Tate Modern.

www.stanleypickergallery.org

Britain still needs nuclear power: Surveying’s Dr Bahram Ghiassee advises

The distressing events at the Fukushima power plant in Japan, should not lead to a change in UK policy towards nuclear power, a Kingston University expert said today.

Bahram Ghiassee, who lectures in Kingston’s School of Surveying is a qualified nuclear engineer and an expert in the law surrounding nuclear power plants.

“What has happened in Japan was the result of an earthquake, followed by a tsunami which was powerful enough to dismantle not just the cooling system but also the back-up cooling system. That sort of sequence of events is inconceivable in the UK.”

Dr Ghiassee has recently researched the justification for new power stations in the UK, their actual design, their location and the implications of the new reactors on nuclear proliferation.

One specific area he addressed was the threat of terrorism. “There are two ways in which terrorists might attempt to strike: sabotage – for example, by trying to fly a plane into a nuclear power station – or by stealing nuclear materials from a plant. Operators will have to prove they have satisfactorily addressed these risks before they start building a new power station and they will have to reassure the Health and Safety Executive’s nuclear inspectors again, before they are given a licence to start generating power.”

“The UK has very well structured systems in place, covering the transport of fuel to the stations and the security of nuclear materials on site.”

Energy and Climate Change Secretary Chris Huhne launched a consultation on the country’s energy provision in October with a view to producing a White Paper this Spring. The government hopes planning permission for the first new power stations will be granted in 2012, with the stations coming on line in 2018.

“In my view, Britain still needs nuclear power. It is essential as our energy base. Wind power is too weather dependent to provide that base, while the siting of turbines to harness tidal power is likely to be very controversial.”

Dr Ghiassee holds both a PhD in Nuclear Engineering and a Masters of Laws (LLM). He lectures in European, Environmental and Planning Law and Sustainable Development in Kingston University’s School of Surveying & Planning. He is a member of the UK Environmental Law Association, the International Nuclear Law Association (Brussels) and the Nuclear Institute (UK). His four papers on the legal aspects of nuclear power were published in Nuclear Future, the Journal of the Nuclear Institute between 2008 and December 2010.

For more information on Dr Ghiassee’s research, or to speak to him directly, please call the Kingston University Press Office on 020 8417 3166 or e-mail press@kingston.ac.uk .

Curating Science – a Kingston and Wellcome Trust Conference

Curating Science brings together curators and communicators from museums, galleries and new sites of engagement to explore the role of science in cultural practice.

Curating Science is organised by Kingston University to celebrate ten years of the MA Curating Contemporary Design in partnership with the Design Museum. The conference reflects the Kingston MA’s commitment to science as a key theme in contemporary practice.

For more information, including a draft programme please visit:

http://curatingscience.com/

Do you see a Future in Design Research?

Do you see a Future in Design Research?

Event to explore Design Research opportunities at FADA

24th March, 3-5pm, Rm KPLB 103

Speakers will include:

Alex Stara: Architecture

Ian Noble: Communication Design

Emily Crane: Fashion Futures

Dan Hays: Fine Art

Regina Peldzus: 3D Design

Cathy Gale: Graphic Design

Followed by discussion with:

Professor Jane Harris: (Design)

Professor Charles Rice: (Art & Design History)

Places limited RSVP essential: a.jakob@kingston.ac.uk (next to faculty office) 

Sustainability gives Kingston a winning hand

Remember Top Trumps? The card game was a popular playground pastime in the days of space hoppers, chopper bikes and flared trousers – and has recently made a bit of a comeback. Originally Top Trump sets featured cars, planes, dinosaurs and footballers, while the modern ones are often linked to television programmes. Now a new version of the card classic has been launched by Kingston University focussing on a very different subject – sustainability.

In just the same way as traditional trumps compared the speed, length and weight of fighter jets or sports cars, Eco-Construction trumps look at the qualities of different construction materials – qualities such as the toxicity, durability and ease of recycling. New Aluminium, for example, trumps Steel on recyclability scoring 90 per cent but performs far less well in some of the other categories: it requires nearly five times as much energy to mine, manufacture and transport.

The game was developed as a teaching tool for surveying students by Kingston University PhD student John Clarke. “It took me six months to research and collate all the data for the cards,” Mr Clarke said. “At this stage, my calculations are provoking debate among sustainability experts, which I see as a very positive thing – I’m taking their feedback on board as I develop the cards”

Mr Clarke’s father was a builder so he grew up with an interest in construction and the built environment. He’s worked on sustainable construction projects in Japan and at the Centre for Alternative Technology at Machynlleth in mid-Wales and has taught at the Pestalozzi village in East Sussex which trains scholars from the developing world.

“When I became interested in eco-construction, one of my biggest challenges was to persuade my Dad,” he said. “He was a self-employed businessman who spent his working life trying to keep his costs manageable, so it took a while to persuade him that, what initially seemed a more expensive, sustainable building material could make more economic sense in the long run. But now Dad’s come round to my way of thinking, I’m confident I can win over anyone.”

The aim of the game is for players to try to take all their opponents’ cards. They do this by choosing a category from their top card which, they hope, will ‘trump’ the other players. For example, from the Concrete card, the player might choose to read “Landfill Decomposition – 50 years”. That would trump Roofing Felt, which takes 80 years to decompose, but not MDF, which takes just four years.

“John’s trumps are an excellent teaching tool,” Kingston University senior research fellow Paul Micklethwaite commented. “They get the point across that a material which offers an environmentally-preferable solution to one design challenge may not be appropriate for a different project. I always ask my students ‘is there such a thing as a sustainable material?’ – this game forces them to address that question head-on,” he added.

Kingston University’s School of Surveying and Planning has printed two thousand sets of the 33 card trumps for use as a teaching tool. Visitors to EcoBuild, the world’s largest event for showcasing sustainable design and construction practices, at the start of March, were also able to play the game. But Mr Clarke believes the cards have applications beyond education.

“I’m hoping they could be useful for builders or architects when specifying materials – either at the office or they could carry a pack of the cards in a jacket pocket as a quick reference guide to assess the viability of different materials,” he said.

Kingston’s planners dominate regional heats of ‘The Planning Student Quiz’

Kingston University continues its excellent results in competitions by achieving 1st, 2nd and 4th place in the London heats of ‘The Planning Student Quiz’. This annual event is run by The Planning Magazine who invited universities to enter teams for the quiz which is sponsored by the RPS Group. The quiz consists of regional heats taking place in February and March with the winning teams and runners up from each region being invited to take part in the grand final on the 23rd March 2011.

The 3 teams competed against London universities, including UCL and Westminster, and answered questions about different aspects of planning in a pub-quiz style format. The winning team was awarded with a prize of £300 as well as the prestige of their achievement.

1st and 2nd place was achieved by The Last Bastion of Communism and PPS I Love You respectively. Both teams will continue onto the grand final which will be held on the 23rd March 2011.

Majeed Neky, The Last Bastion of Communism said “We were surprised but very happy to have won and are really looking forward to the challenge of the grand final where we hope to uphold Kingston’s excellent reputation.”

All of the students who took part thoroughly enjoyed the evening and commented that they found the quiz fun. The social networking aspect afterwards gave them the opportunity to meet people from the planning industry as well as students from the other institutions and was a common highlight to those who attended the event.

“It was a tough competition and we were pleased to beat well established planning schools like UCL, it is a credit to the lecturers at Kinston, especially Charlotte and Georgia, that we were able to do so well” stated PPS I Love You.

Academic staff from the School of Surveying and Planning were pleased to hear about the success of their students. “I am absolutely delighted by the results and it is magnificent that Kingston had 3 teams in the top 4! I would like to give special congratulations to the teams going through to the grand final.”  Professor Sarah Sayce, Head of School.

Charlotte Harris, Field Leader for MA Planning and Sustainability said;

“It is great to know that our students are up there with those from other planning schools and it is to their credit that they took the initiative and involved themselves with a high profile event sponsored by RPS and organised by the journal, Planning. Well done to all the students who were prepared to participate and congratulations to  the teams that came first, second and fourth!”

Filmmaking at the BFI

Kingston University’s Filmmaking students will have the chance to screen their work at the prestigious BFI on Monday 16th May 2011. The event will be a presentation of filmmaking project work from selected 1st and 2nd year 2011 students, in the studio cinema at the South Bank venue.